Point-of-view

I have been debating on whether to use a third person POV, like in Harry Potter, or a first person POV, like in Percy Jackson. If you guys haven’t noticed yet I’ll be making frequent references to those two books. I want my little novel to emulate the style, genre, and overall “feel” of the books, but at the same time, I fear for my life that I’ll rip them off big time. That’s not my intent though. I’m not planning on copy and pasting my content into a cozy template, but rather to incorporate my own unique jazz to the whole thing with an original plot.

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Here are the pros and cons I’ve been considering between the two:

I think writing in 1st person would be the easy way out. It can be extremely personable and relatable in a way that directly invites the reader into this fantastical world.

However I wouldn’t have as much room for the artsy imagery that I’m so fond of like I would with 3rd person. Perhaps the protagonist wouldn’t “talk” so much with the reader but the descriptive language would immerse the reader into the world of John Sonner.

As of now though I’m leaning towards 3rd person and have actually started to write in it. I’ll just have to see where it takes me.

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The Protagonist

I feel guilty for caving into this very much overdone model of a typical teenage boy that becomes the “chosen one” of some sort and uses his newly discovered powers to save mankind. But hey. Give me a break. This is my first attempt at a novel so I might as well us model that has proven to work. Depending on how I feel, maybe I’ll even throw in a best friend trio with some love interests thrown in the mix.

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Books like Harry Potter and Percy Jackson have flooded the market targeting young adults with its superficial content of fantasy worlds and magic. I like to rag on them but it’s a love-hate relationship. It’s like that song that you absolutely hate but can’t help but tap your feet to. But I understand where the popularity comes from. The characters are relatable in the fact that they too are teenagers, so readers are able to imagine themselves in a much cooler world. It’s also no coincidence that both of these popular series incorporates the “real world” into its fantasy world, adding to the effect that there just might be something more on the other side that we just don’t know about. It’s an interesting thought that entices a bulk of today’s young readers.

The inner conflict that my protagonist struggles with will be the responsibility that he must face with  the power and knowledge he now has. And if you go to my previous post “The Antagonist” you can read all about who John Sonner will be pitted against. I’m interested myself in how John will turn out. I’m just hoping he won’t be an exact replica of the before mentioned characters.

The Antagonist

What makes a good story is not the protagonist. A good story consists of an interesting and original plot. A plot is driven by a conflict that can keep you on your toes. So a predictable antagonist-protagonist relationship will at the best leave you with a mediocre story. So it all dwindles down to the villain to carry the book. You could say the bad guy makes or breaks it.

When I think bad guy, I see smiles, not a menacing brute. I came across Shakespeare’s Iago in my reading recently and I’ve never appreciated evil like this before. A villain that simply beats up on the main character doesn’t allow for much personality or complexity. What sets Iago apart is his mastermind persona. The way he manipulates the other characters so smoothly without any suspicion gives me a whole new revelation on the term puppeteer.

Satan

This is what has made Satan such an iconic figure throughout history. It’s a shame really at what culture has made his appearance out to be. The hideous, horned demon with unsightly red skin, forked tongue, and hoofed feet, doesn’t do justice to who Lucifer, the angel of light, was.  The Satan I picture does not cackle in a gruff, echoing voice. But rather he speaks softly, seductively, enticing his unsuspecting prey.

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An antagonist using strength alone, relies on strength alone and can be overpowered. However, an antagonist that turns his foes against each other and manipulates them to do his bidding without them even realizing it can do so much more harm. For a more relatable example, look at Iron Man 3. The villain does his during work behind the scenes, setting up a pseudo-villain to take the glory (and heat) for everything. This throws even the ingenious Tony Stark off of the true trail and allows Aldrich Killian to do even more damage. Ironically outwitting is so much more powerful than overpowering.

Teaser

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It seems like all hell breaks loose when 17 year old John Sonner discovers his recurring nightmares go beyond the bedroom.

Following the suicide of a close friend, he realizes there is more going on at Carmal Valley Academy than meets the eye…of everyone else at least.

As John continues to face new challenges and tread deeper into his school’s dark secrets, he realizes the cafeteria food was the least of his worries.

Can he save the school and stop the encroaching evil before it’s too late?